之前一部如何眾叛親離-How to Lose Friends and Alienate People看了就很讓人過(guò)癮。標(biāo)題越異軍,越標(biāo)榜自己壞的電影,越讓你期待。仿佛現(xiàn)在觀眾的惡趣味已經(jīng)【jīng】被成功地轉(zhuǎn)移到了影片里的反面人物上。 比如,South Park里的Eric Cartman。誰(shuí)不愛他的沒(méi)皮沒(méi)臉,為一點(diǎn)點(diǎn)小事就要搞...
我突然發(fā)現(xiàn)我長(zhǎng)大了.會(huì)一個(gè)人安靜的坐著,理順一些問(wèn)題了. 記起剛剛看完的老片子《catch me if you can》 Tom Hanks在機(jī)場(chǎng)的通道前站定,對(duì)著正要逃脫的Leonardo的背說(shuō), 活在謊言里永遠(yuǎn)比活在現(xiàn)實(shí)里容易.但是你要想清楚, 你將得到的是用無(wú)休止的流浪,警察的追捕,法國(guó)的監(jiān)...
The expression techniques in the movie The Legend of 1900 are symbolic—for instance, the fictional utopian ship, the swaying eyeballs of the trumpet player, or even the made-up pianist and the jazz inventor who comes to challenge him... Behind these symbol...
幽人:
沉默的若亞:
凌麥兒:
atomic:
CyberKnight電子騎士:
譚昕swag:
深焦DeepFocus:
思考的貓:
王小民的吐槽: